Skomvær XXXIII, Lofoten Mountain

Skomvær XXXIII, Lofoten Mountain

60 x 40 cm / 24 x 16″ / No Frame
€79,00
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Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
  • Skomvær XXXIII, Lofoten Mountain
Skomvær XXXIII, Lofoten Mountain

Skomvær XXXIII, Lofoten Mountain

€79,00
Size
Frame
Part of my Föreställningar om Lofoten / Imagining Lofoten series, painted after my great-grandmother Trull's 1896 diary of her years on Skomvær, the lighthouse island off Røst in Lofoten. Where the other pieces in the series look out to sea, this one turns toward the mountains that surround the island, rendered almost entirely in black and white against a single, saturated turquoise sky.

The heavy texture across the slopes comes from watercolour granulation and salt technique, giving the rock a frost-like, crystalline surface. It's a quieter, more graphic piece than the coastal views, built around contrast rather than colour.

This is a canvas print reproduction of my original watercolour painting, hand-stretched and ready to hang, no framing needed (or choose a solid wood oak or black frame).


Product safety information (GPSR)

Manufacturer: Art by Zax, Norrbackagatan 27A, lgh 0902, 11334 Stockholm, Sweden, zax.khan@gmail.com

EU Responsible Person: Printumo ApS, Pilestræde 41, 2, 1112 København K, Denmark, hello@printumo.com

Safety information: Decorative wall art. Not a toy. Keep mounting hardware and small parts away from children. Mount securely to a suitable wall.

About the image

These are high-quality prints of original watercolour paintings. One of the unique charms of watercolour is its natural variation: subtle irregularities, uneven washes and other traces of the original painting process are part of the medium’s character.

I have deliberately chosen not to alter or digitally retouch the original paintings when preparing these prints. The prints therefore preserve the natural character and imperfections of the original watercolour. These are not defects, but part of what makes each painting unique.

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